From Waipahi
Graham White had no reason to believe it was a day different from any other. It was October 20, 1999, and the Dunedin-based train driver had just pulled up his southbound train 919 on the Main South Line at Waipahi Station.
He was just about to jump out of the locomotive to change the mainline points so that northbound train 938 could pass on a parallel section of track diverging from the main line. It was the responsibility of the first train to arrive to set the mainline points for the passing loop.
Unfortunately, the trains arrived at Waipahi Station almost simultaneously and, at 7.02am, train 938 entered the station and collided head-on with train 919, killing Mr White and seriously injuring the driver of train 938.
From 1993
to 2008 New Zealand’s railways were privately owned. The private
owners believed that the marketplace would somehow create safe working
conditions. During that time the following rail workers were killed on the job:
Graham White, Sean Smith, Jack Neha, Peter Silbury, Murray Shaw, Tim Steffert,
Rudolph Wairau, Billy Trouland, Ambrose Manaia, Neil Faithful, Neville Bell,
Robert Burt and Jim Jacobs.
In June
2000 Margaret Wilson the Minister of Labour announced that there would be a
Ministerial Inquiry into these deaths.
On October 2019 a special train traveled from Dunedin to Waipahi where a commemoration of the Waipahi rail
accident and Graham White's death took place.
On the return journey to Dunedin the Rail, Maritime and Transport Union arranged a cab pass so I was able sit up the front with the driver. I took the sketch book with me and scribbled down the changing view as the train rolled through the Southland country side - the drawings seemed to be much improved by the motion of the train.
On the return journey to Dunedin the Rail, Maritime and Transport Union arranged a cab pass so I was able sit up the front with the driver. I took the sketch book with me and scribbled down the changing view as the train rolled through the Southland country side - the drawings seemed to be much improved by the motion of the train.
This series
of six paintings which I’ve called From
Waipahi – in memory of Graham White were developed from the drawings.
Any society's folklore is seen as a historical storehouse in which people maintain their predecessors' traditions, arts, images of social life, ideals, and values, in all calm and warlike circumstances, as well as joys and tragedies.
ReplyDeleteThat is, by crystallizing it into songs and poems that maintain its glory, or by passing it down through folk dances and dances.
Qatar has a rich folk tradition derived from its forefathers, which may be seen in a variety of ways, including:
Al-Ardah is a popular hue in Qatar that is only worn by men on special occasions such as weddings.
Al-Razif: It is a folklore dance form that is distinctive to the Qatari people in every way.
Young and elderly share a contract where it is conducted collectively, and they wear traditional Qatari garb while wielding swords.